I’ve used this method for awhile, and there is a detailed article explaining 32 bit truths and myths here: that has been very useful for me. More images using this approach and the Digital and Color Zone Systems Like the style of this tutorial? You will LOVE HDR Insider! Full-Length HDR Workflows, Critiques & More! Please feel free to leave your thoughts in the comments section below! I encourage you to experiment with this method and see what you think. Especially in highlight detail areas.Įdited using the 32 bit Photomatix approach and the Digital and Color Zone Systems.
The overall finished product seemed more refined than the Photoshop Merge to HDR Pro. Compared to a noisy tone mapped photograph. This is highlighted in the video tutorial below. The Photomatix versions appeared to have less blown highlights in tricky areas. Photomatix’s Algorithm for correcting ghosting is far superior to Photoshop and grants the user more control. Here were some of the blatant advantages: I compared and contrasted several Photomatix Pro 32 bit images with Photoshop’s Merge to HDR Pro. While the Merge To HDR Pro in Photoshop method is great, there is a healthy alternative. This is a very common method for making realistic HDR images that do not leave you with that dirty Grungy tone mapped look from Photomatix.Īs HDR advances this method has been gaining much more popularity, especially with the newer RAW files a s a base that provide a stellar amount of dynamic range. It allows for 32 bit tone mapping using the absolute power of ACR (in Photoshop CC). 
If you have spent anytime experimenting with HDR you have probably heard about Photoshop’s Merge to HDR Pro.
Yes, 32 bit processing with Photomatix and ACR is possible!
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